1801-1848 Thomas Cole Galleries Thomas Cole (February 1, 1801 - February 11, 1848) was a 19th century American artist. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's Hudson River School, as well as his own work, was known for its realistic and detailed portrayal of American landscape and wilderness, which feature themes of romanticism and naturalism. In New York he sold three paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where he visited the Catskill Mountain House and painted the ruins of Fort Putnam. Returning to New York he displayed three landscapes in the window of a bookstore; according to the New York Evening Post, this garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist. Cole was primarily a painter of landscapes, but he also painted allegorical works. The most famous of these are the five-part series, The Course of Empire, now in the collection of the New York Historical Society and the four-part The Voyage of Life. There are two versions of the latter, one at the National Gallery in Washington, D.C., the other at the Munson-Williams-Proctor Arts Institute in Utica, New York. Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841-1842 abroad, mainly in England and Italy; in Florence he lived with the sculptor Horatio Greenough.  Related Paintings of Thomas Cole :. | 'The Ox Bow' of the Connecticut River near Northampton, Massachusetts | Mount Etna | Italian Coast Scene with Ruined Tower | View on the Catskill-Early Autumn | The Hunter's Return |
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Abraham Mignon
(Frankfurt, June 21, 1640 - Utrecht, March 27, 1679), was a Dutch golden age painter, specialized in flower bouquets. His father, a Frankfurt merchant, placed him under the care of the still-life painter Jacob Marrel, when he was only seven years old. Marrel specialized in flower painting, and found him to be his best pupil. He accompanied Mignon when he moved to the Netherlands about 1660 to work under Jan Davidszoon de Heem at Utrecht. In 1675 he settled there for good when he married the daughter of the painter Cornelis Willaerts (granddaughter of Adam Willaerts). Marrel's stepdaughter Maria Sibylla Merian (1647-1717), daughter of the engraver Matthew Merian, who lived with Marrel and thus studied with Mignon, achieved distinction as a flower painter
MOUCHERON, Frederick de
Dutch painter (b. 1633, Emden, d. 1686, Amsterdam)
Joris van Son
1623-1667) was a highly popular Flemish Baroque painter of fruit and flowers, in banquet style on a plank, but also in garland form. He seems to have been influenced by Jan Davidszoon de Heem, since his subjects follow his style quite closely. According to Houbraken his paintings were prized for preserving summer plenty in the middle of winter. In a poem by Cornelis de Bie, it is written that his fruits would tempt a pregnant woman. His paintings hang in many european museums, and the Dutch RKD has over 70 known works by him on record. He signed his works JORIS VAN SON. His students were Frans van Everbroeck, Jan Pauwel Gillemans II, and Norbert Montalie.